THERESA SOTTO
BELOW THE FRAME,
OR CAPERE (TO SEIZE)
Inset
diagram of a runner’s legs.
Trophy gleaming in upper corner.
Boar
bristles pinned along his calves
smirking
like hidden playing cards.
Inmate of Bilbid
prison, Number 103.
Pocked skin displayed from every angle
as if needles tapped across his face
prick
puncture slurp
Evid
rubs the feet of the Moro chief.
She
bears down in every cranny.
Another
wife [middle-aged] serves him supper.
Evid
[twelve] leaves immediately.
Figure 44. Bontoc Igorot
woman.
Photographer known.
Receipt preserved in the Archives.
Folkmar
measures arm span, length and breadth
of nose
bridge, hairline from ear to nape
circumference of lumps evident on the skull.
Frame by frame evolution of Bontoc
Igorot Man:
1. woven hat fastened to the back
of the head
2. hat on top of head
3. a hat shipped from
“Get
a load of his teeth—
pointy
enough to tear through your flank.”
Figures 31 through 33: Eradicate cloth and
the beads are easily observable, the
way they’re
pendulous. There are breasts. (Arms clenched
to waist.)
Observe
the tattoos, mid-bicep.
4 lines
like boomerangs
Several rows, several circles spanning 6" of shoulder.
Lower
bicep: 2 rows of triangles like a gecko’s tail
whipping
his nipples into submission.
Visayan dwarfs, eating with fingers.
“How
many bracelets can a girl wear on one arm?
Fashion
faux pas. Her arms weighted down."
Revision of figures 31 through 33:
Other images suggest these women
typically don’t wear shirts.