THE HOMININE EGG
The
truth’s in myth not fact,
a
story fragment or an act
that
lasts and stands for all:
how
bees made honey in a skull.
—Gregory Orr, “Poem”
I.
at the turn of the lion’s skull
production was static as a nomad.
it aged, this rattle full of shapes,
malevolence greened, pricked,
made basic, the globe
as a cataract eye
sliding in a black groove,
hot iron, yolk,
a lamp turned on in a sunlit room.
it is as flour sits in the canister,
discovered,
exact stagnancy between
raw and potential.
it is air, a pregnant tiger
leaping off an olive-colored boat,
breathing, pressed,
a claw lodged in wax.
II. when bees make lions in the honey skull
they hum,
barrels of flour
greening, cataract
sprouts
how rearrangement makes for murmur
tamed, glyph of perfect
raw shapes appear:
under the growth, blackened,
punched in,
eyeless soldiers
a mouthful of flour
coughed out,
population’s spare part,
death is heavy and
a bounced check,
a lunar expulsion,
rich, a river thickened
to oil, history:
slowed
dust coagulates into scum,
miner’s hands
pull a velvet cord between the banisters and
unwind the decision:
the white dog in a snowstorm
opens its mouth to reveal
a glacial storm of red.
III. giant lions
prowling about with
bees in their skulls
put
bees before honey.
large and diverse
the cream-filled cake bursts
like politics and dementia.
in the tackle box,
a lineage of tied flies
waits like a garden
and then straightforward through
the genealogy
a flush of hot chips produces
another warrior king,
charisma takes the capitol,
a can rushing down the river
over a heavy
spawn of fish, a car twisting
torrentially around a telephone pole,
as a bird pecks at the
hand of a dead man.
a blast of vultures
drops
down onto the landfill,
a riflebird dances
and the female sighs—
rejection, a burst of utility
leaves behind
a long gun where the river
used to be.
IV. a lion’s skull
full of honey and
drowned bees.
wind over density,
twenty-five time zones
inside the word minority
question armaments,
human breaths
blowing out the mouse’s lungs
and knives singing
in the dark market,
a season of riots
at 11:59.59 p.m. on Earth,
an earwig climbs up the side
of a cantaloupe,
axel out of composition,
a sculpture of a heart,
an isle of grain untouched
as the silence of viewing demands.
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